The film opens on a closeup of a caterpillar as it spasms into and out of abstraction before thudding against a hard surface, apparently dead. Dissolve to a scene in which one of Hayashi's trademark humanoid figures lies supine beneath tower blocks. It tries to sit up but is restrained, insect-like, by an invisible cocoon. It's then transported through a number of spectral environments, its lithe body plagued by paralysis and distortions - but then suddenly enlivened by meshed of colour.
Source: Asifa Magazine
Sorry, no reviews have been added yet.
Login or sign up to add the first review.
Sorry, no characters have been added yet.
Login or sign up to suggest characters.
Sorry, no one has started a discussion yet.
Login or sign up to start a discussion.