Evangelion: 1.0 You are (not) alone is the first of a modern movie remake of the cult classic 90s anime Neon Genesis Evangelion, equivalent to the first few episodes. The original anime is one of my favourite anime of all time, being joint second in my top 3 anime. I almost wasn’t going to review this anime movie due to my inherent bias and opinion, but I figured it would be useful to folks to see a review from someone who loved the original. Thus I must disclose that I absolutely loved the original and its movie sequel, I love the psychological genre of anime which messes with your head and I hate all things fan-service and ecchi. I will refer to the original in this review. This movie remake trilogy is very similar to another anime franchise, Berserk, which was also a very old anime TV series. Like Evangelion, it had a HD trilogy of movie remakes, but in my opinion those movie remakes weren’t as good as the original. Since I watched them long ago, there’s fat chance that I’ll ever review those, but the movie remakes removed some of the interesting and shocking themes of the original, added more unnecessary nudity (the movie remake has visible genitalia, both genders) and added a thing that was apparently in the manga, which I don’t read. So it’ll be interesting to see how the anime industry has evolved since the early 90s and what difference it makes to this anime remake. If one hasn’t watched the original 1994 anime, I recommend you go back and watch it, along with the sequel movie End of Evangelion, before watching this remake.
Animation
I got the HD collector’s edition box set, which included the 3 movies in 1080p (If I ever review the sequels, I will refer to this section here in this review) and a bunch of promotional extras including a ‘making of’ video, though not in the traditional sense. From my recent viewings of various anime movies it has become apparent that they tend to have extraordinary quality that often exceeds that of TV anime (the Berserk remakes were in 1080p from the early 2000s) and these movies are no exception. The ‘making of’ videos solidified that idea by showing how complicated the animation is and how much effort they put into it. It shows clips and concept art of the scenes in various stages of production, showing the resources and effects that went into simple, short scenes.
The animation style remains faithful to the original, lots of power lines, lots of interesting and unique camera angles aptly utilised and the character designs were the same. The character designs are fairly distinctive actually, despite Shinji fitting the bill for the typical anime protagonist, it’s surprising how his design remains proprietary to the Evangelion anime. Similarly for other characters like Rei, Misato and Gendo. Though thinking about Rei’s design it seems she was the inspiration for characters like Revi from Black Lagoon, who looks strikingly similar. The EVAs look like they always have, staying faithful to the design while also improving on them visually. We actually get to see a few new interesting shots of them or something similar to them.
Being Evangelion, there’s quite a bit of blood and gruesome imagery in this remake, particularly since this is based on the first few episodes of the anime, there’s some breaking of limbs that might make viewers cringe (in a good way). The original series had nothing really in terms of fan service or nudity, the movie sequel End of Evangelion had one ‘topless’ scene. There were a hell of a lot of references to things like sex though. I wonder what this says about how the anime industry has evolved, but this remake has nudity in it. Though nothing too pervy or weird, the scenes are close replicas of scenes from the original. For example one where Shinji trips and lands on a naked Rei, in this remake now has slight nudity. As far as I’m concerned, the atmosphere of such scenes is fairly realistic and they seem to be taken seriously instead of perving out and drawing attention to such things.
However, after the credits, during a teaser of the next movie, the narration mentions ‘more fan-service.’ It seems that the scenes were intended as fan-service and pervyness. This inappropriate intention changes everything. While watching the anime, it didn’t seem like they went out of their way to make it pervy, but the fact they purposely made these changes… you know how much I hate such things. Thus, I’m going to have to dock a point or few for this. It seems modern day animation studios have developed a preference for bullshit fan-service and ecchi, likely to appeal to adolescents. How revolting. I guess that explains why modern day anime has gone downhill in some respects. Fun fact: anime of any sort cannot be aired on certain TV channels due to fan-service/ecchi. (I just learnt of it today)
Sound
I never got the Evangelion soundtrack, despite having found it online all those years back. Being a movie, there is no intro but there is a long outro track during the credits, a longer section since this is a full movie production. And it was great, much better than the outro track in the original anime. Though this could be another aspect of how the anime industry has changed over the years, I guess the type of music in anime these days has changed, for the better and the worst (I’m not really a fan of modern J-pop). The music in the anime itself seems to consist of a lot of tracks remastered from the original series and a few new ones. The music is utilised well here as it was in the original and I must divulge that I got a bit giddy from the nostalgia, as I recognised the music. Not everyone will feel the same way about this and this didn’t exactly drive me to go back and get the soundtrack, but its great music nonetheless.
Like the original, this is available in both English and Japanese audio, but I also remember seeing that it also has versions in other languages like German and maybe French and Spanish. Goes to show how popular the Evangelion franchise is around the world. The original had a bit of German due to the plot involving one of the characters being German. Having experienced both the English and the Japanese and considering most of the voice actors reprise their roles, including Shinji, I prefer the English version, especially considering the amount of German spoken in the original. Tiffany Grant seemed to be fluent in German and speak in a good accent, while Yuko Miyamura’s German sounded much like her English, it was obvious she wasn’t adept at languages other than Japanese. In addition, Shinji sounds better in the English version as he’s voiced by a woman in the Japanese version, making him sound too feminine. Things like that and the nostalgia of hearing the old voices made me prefer the English here, even though I did get the movie in dual audio so I could give the Japanese another chance.
Spike Spencer returns as the voice of Shinji, not a prominent voice as the only other role I found interesting is a certain character in the second season of Code Geass. Rei Ayanami is now voice by Brina Palencia, not a bad choice as the experienced voice actor has had many good roles including Ennis in Baccano, the Kinoshita Twins in Baka to Test, Priscilla in Claymore, Rin in Darker than Black, Nina Tucker in FMA, Yuno in Mirai Nikki (Future Diary), Kazumi Yoshida in Shakugan no Shana, Juliet in Romeo X Juliet and Holo in Spice and Wolf. Allison Keith returns as Misato Katsuragi, similar to Spike Spencer not having many other roles in anime. John Swasey retains the part of Gendo Ikari, having also been Huang in Darker than Black, Prof Kakuzawa in Elfen Lied, Motoi Yazaki in Ghost Hound (watched recently) and Death/Grim Reaper in Soul Eater. Ristuko Akagi is now voiced by Colleen Clinkenbeard, voice of Nice Holystone in Baccano, Hilda and Galatea in Claymore, Riza Hawkeye and Rose Thomas in FMA, Mitsuki Hayase in Kimi Ga Nozomu Eien (AKA Rumbling Hearts), Cordelia in Romeo X Juliet and Yuuko in both Tsubasa Chronicle and XXXHOLiC. Toji Suzuhara and Kensuke Aida both had had their voice actors changed to Justin Gook and Greg Ayres respectively.
Characters
The main character in the Evangelion series is Shinji Ikari, son of Gendo Ikari. While his mother isn’t mentioned much, there is a small voice-only role depicting her and she generally doesn’t exist. Not to worry, the mother thing is actually a part of the plot, which might be explored in the later movies (it was in the original series). He is made to be the pilot of Eva unit 01. He often whiles and cries about things which surprisingly I’m not annoyed by. Shinji is psychologically abnormal and I was surprised that this movie literally states this at one point. His reaction to the Evangelion program is fairly realistic for a child and he reacts as any teenager would when confronted with ‘certain situations’. He reacts to the events as a person actually would. He desperately seeks the approval of his father and other folks and that is also mentioned in this movie. He doesn’t actually get along well with his father who had neglected him all of his life. Since he’d be living on his own, Misato takes him in to her place. He goes to middle school, in the same class as Rei Ayanami, Toji Suzuhara and Kensuke Aida.
Rei Ayanami is a mysterious girl, with an unnatural hair colour, who is the pilot of Eva unit 00 and has been part of the Evangelion program for longer than the likes of Shinji. She has no parents (important to the plot) and early on in the movie, during an flashback discussion between Shinji’s parents, Rei’s origins are alluded to when Shinji’s mother mentions their child should be named Shinji if it’s a boy and Rei if it’s a girl. There’s even more, during one of the ‘psychological’ scenes Rei’s name is repeated as Rei Ayanami and Rei Ikari, eventually settling on Rei Ayanami. Surprisingly, while Gendo doesn’t get along with his own son, he seems to care greatly for this girl Rei. Rei has a cold and almost inhuman personality, she cares for nobody. But the exception is Gendo, who she looks up to and she keeps a memento of him by his glasses. Rei thinks very logically, but isn’t good at interacting with others, she doesn’t talk to people very much and she is unfazed by things like Shinji being in her room when she gets out of the bath.
Misato Katsuragi is a young military woman who works for Nerv and is in command of Evangelion operations under the supervision of Gendo Ikari. She gets along well with Ritsuko Akagi, who seems to be a close friend and is generally a kind and friendly individual. She can be rather immature and boisterous at times, but she gets serious when work is involved. She takes in Shinji when she finds out he’d be living on his own and effectively becomes his guardian. She becomes close to the boy, giving him advice and support, acting almost like a mother. She owns a warm water penguin named Pen-Pen, who seems to behave alarmingly like a human, taking a bath and reading a newspaper. She does know how to have fun and is a raging alcoholic, drinking a lot of beer. One memorable scene, faithfully and accurately recreated in this movie is the first scene of her drinking at home, where she takes a long chug of beer and enjoys it. There’s more to this character, but we’ll have to wait for the sequels to see that.
Gendo Ikari is the mysterious man who seems to be at the head of Nerv. He reports to a group more mysterious than himself known as Seele (pronounced ‘say-lay’) regarding the angels and Evas. He seems to know a lot and has the knowledge that there are a certain number of angels who will attack. Among the many secret and mysteries is one thing called the Human Instrumentality project, some sort of goal for Ikari and Seele. He doesn’t get along with his son at all and little is mentioned in this first movie concerning his wife. He seems to be very close to Rei Ayanami, being protective of her as if she were his own child. Ironic seeing as his view towards his son Shinji is only as a mere tool, to be gotten rid of when he is of no use.
Story
This movie is equivalent to the first 6 episodes of the original anime and follows the original plot very faithfully. The year is 2015 (not just a coincidence, that’s the actual date for the events of the first episode in the original anime) and the city of Tokyo-3 is being attacked by a strange giant alien creature called an Angel. Shinji Ikari, is picked up by Misato Katsuragi by the orders of his estranged father, Gendo Ikari, to be taken to Nerv headquarters in order to pilot a giant mech, the Eva.
The Evas are the only things capable of stopping the Angels and breaking through their defences known as A.T. fields (A.T. = absolute terror) as well as projecting their own. Evas are equipped with an A.T. field penetrating knife known as a progressive knife and require an umbilical cable to supply them with power, diagnostics and external control. The removal of this umbilical cable, the Evas run on a limited battery power which allows 60 seconds at full power or 5 minutes otherwise. The mobility of the Eva depends on the synchronization rate with the pilot, usually fairly low making the Evas cumbersome as a result.
Evangelion has always had a complex story, full of odd psychological scenes that make the viewer feel like they’re high and crazy story developments and plot twists that put a new light on the events. I’ve always thought that Evangelion has been the anime equivalent to the Metal Gear video games, in that it’s pseudo-realistic with the fictional aspects. The things that obviously aren’t real are depicted in a realistic way. I used to think that if mechs were real, this would be one possibility of how things are done. And the anime backs me up on that. One big question people may have is why does it have to be children piloting these mechs, especially when there are issues getting them to follow orders and such? The original Evangelion series answered this and it’s the same here. Similarly, the explanation for the Geo-front, the abilities of the Evas, how the Evas are powered, and repaired all seem to involve pseudo-realistic explanations.
No backstory is yet given in this movie, but among the few scenes added to this, reveals that Rei would have been Shinji’s name were he to be born a girl instead of a boy and that the names were chosen by his mother. It also provides a bit of foreshadowing to Rei’s origins with the first of many psychedelic scenes to come. One issue with this movie is that it relies on sequels for the full story, one season or movie should be able to convey a complete plot by itself. The plot from this movie alone seems a bit simple, the bat-shit crazy doesn’t quite come across here, which could be a good thing for some. It still manages to do this to an extent, but it leaves many questions and mysteries unanswered. This issue has become prominent as the 3<sup>rd</sup> movie was unable to complete the story, thus requiring an as yet unreleased fourth movie. The gap between the second and third movie was 3 years and there have been mentions that the 4<sup>th</sup> movie is meant to be released by the end of this year.
Conclusion
So, as someone who enjoyed the original series, what do I think of this remake and would I recommend it? One thing for sure, it’s one of the better remakes out there, being very faithful to the original series and having very little in the way of flaws. But unfortunately it does slip as it adds some unnecessary material (fan-service) and is a bit too reliant on sequels to provide the full picture. I also don’t remember the scene where Shinji leaves. Thus I can’t fully conclude on exactly what this is since I’ve yet to watch the other movies. Would I recommend it? If you’re a fan of Evangelion, definitely watch this. If you miss the crazy interesting plots of the 90s, watch this. If you like mech anime, watch this. If you like interesting, unique anime with complex plots that makes you think or love the mindf**k genre, then this will set up what’s hopefully a good remake of a very balls-to-the-wall euphoric series.
Family-friendliness Rating: 5/5 Mature themes (lower is better)
Overall Rating: 9/10 (higher is better)